- #HOW TO MAKE YOUR OWN ABLETON LIVE PACKS FOR PUSH UPDATE#
- #HOW TO MAKE YOUR OWN ABLETON LIVE PACKS FOR PUSH PRO#
That’s true of Push 2 after more than five years on the market, an impressive run at the top for a software controller. To be able to flow from doodling with drums and instruments, to step recording and realtime performance, to editing and automation, to sound design and resampling, and back in and out of any step along the way is an experience that I have not been able to replicate personally with other Live controllers or with different DAW/controller combinations. When you enter the zone with Push in front of you, the disconnects between your musical vision and your production process break down. In that latter half of the equation lies the mystery of human artistry and will be different for most artists, but combining Push with Live can help nearly any producer create faster and more fluently. All electronic music-makers have to find a system that works for them to create a lot of material and discover their techniques and signature style. But aside from some electronic improvisers, people have to compose music before performing it, and composition is Push’s raison d’etre. Many performing musicians have also embraced Push as a live-performance instrument and tool. Mad Zach explores the sample slicing modes that were added with Live 9.7 The Push methodology-jumping quickly into a project, sketching out beats and melodic lines with a blend of step sequencing and overdubbed realtime recording, editing and embellishing them with Note Repeat, Swing, Accent, and easy automation recording duplicating and editing clips, tracks, and entire Scenes, and designing sounds thanks to easy access to resampling and deep hands-on control of instruments and effects-is something I could not find to the same degree with other DAWs or with other Ableton Live-compatible controllers. That addiction takes hold because the Push/Live synergistic workflow encourages you to finish beats and tracks fast, giving you continual hits of accomplishment dopamine along the way.
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#HOW TO MAKE YOUR OWN ABLETON LIVE PACKS FOR PUSH UPDATE#
When the V11 update lured me back to Live, it was like I rediscovered the Push and got addicted to it anew. Both are fine DAWs for electronic music in their own ways, but neither has a hardware counterpart quite like Push that is wholly dedicated to its respective DAW and purpose-built for maintaining a producer’s creative flow.
#HOW TO MAKE YOUR OWN ABLETON LIVE PACKS FOR PUSH PRO#
Although I have used Ableton Live in some capacity since version 1, I spent a lengthy period between versions 10 and 11 being seduced by new software, specifically Bitwig Studio 3 and Apple Logic Pro X 10.5.